Although Moriyama's work is properly known in Nippon exactly where he is 1 of the country's key photographers, his photography has only been sporadically and incompletely exhibited outside Japan, and it has not received the full critical congratulation it so richly deserves.

sourceBorn in the port city of Osaka in 1938, Moriyama turned to photography at the age of twenty-one and moved to Tokyo to perform with the eminent photographer Eikoh Hosoe. Early in his profession, Moriyama became acquainted with the work of each William Klein and Andy Warhol. He appreciated their new vision and transformed it through his own personal perspective. The power and dynamic modernity Moriyama discovered in the emotional, even hostile photographs Klein made of his native New York delighted the young Japanese photographer, as did the perception of a voyeuristic media culture in Warhol's function.

Moriyama's images are taken in the streets of Japan's major cities. Made with a little, hand-held camera, they reveal the speed with which they have been snapped. Usually the frame is deliberately not straight, the grain pronounced, and the contrast emphasized. Among his city images are these shot in poorly lit bars, strip clubs, on the streets or in alleyways, with the movement of the topic making a blurred suggestion of a form rather than a distinct figure.

Moriyama's style was also part of this intense period in Japanese art. Much of the function made in Japan in theater, film, literature, art, and photography seems radical right now as it represented a clear disjunction from the past. Japanese artistic production of the 1960s and 1970s was deeply affected by the American occupation and its conflicting messages of democracy and manage, of peaceful coexistence, and of the strong American presence in Asia throughout the Vietnam War.

Radical artists, like Moriyama, sought a firm break with the very regulated Japanese society that was responsible for the war, as properly as an affirmation of the vitality of a pre-modern culture that was especially Japanese. Hence, the images Moriyama took of the American Navy base Yokosuka -- reflecting the freedom he saw there -- and the stray dog close to the Air Force base at Misawa acknowledge each the exhiliarating newness of the modern knowledge and its rawness.

In the early 1980s, his function moved away from the ambiguity and graininess of his earlier photographs toward a bleaker, more distinct vision, as evidenced in the Light and Shadow series.Moriyama stretches the boundaries of photography and peers into the dark and blurry areas that scare us. Moriyama delivers great gritty black and white pictures examining post WWII Japanese Culture.

His most identified image, Stray Dog, (1971) is clearly taken on the run, in the midst of bustling, lively street activity. If you believe anything at all, you will perhaps require to read about Is content genuinely the king? You betcha!!. The representation of the alert, wandering, solitary, but ultimately mysterious animal, is a powerful expression of the crucial outsider. It is an important reflection of Moriyama's presence as an alert outsider in his own culture.. My dad discovered this month by browsing webpages.